Charley Chase Miscellany


  • The intersection that gave Charles Parrott his screen name

  • Charley Chase in "Film Fun" ad

  • Charley Chase's star on the Hollywood Walk of Fame

  • The foreign language versions of the Charley Chase talkies

  • Charley Chase remakes

  • Results of Charley Chase Polls

  • Did you know?

    One Way for a Parrott to Turn into a Chase

    Eagle-eyed Chase fan Jonathan Berk snapped this picture of the intersection of Charles & Chase in Charley's native Baltimore. Although there are various stories and theories of how director Charles Parrott changed his name to become comedian Charley Chase (including, as related in Brian Anthony and Andy Edmonds' Chase biography Smile When the Raindrops Fall, Parrott picking a random name out of the Los Angeles phone directory), this one seems to be the most convincing. It is doubtful that the similarity between this intersection and Charley's adopted name is purely a coincidence. Baltimore-born Parrott must have been aware of this busy intersection in his natal city, and, noting the comedy-ready name, took it and made it his own.


    Charley Chase in "Film Fun" Ad

    Here is a thirties-era advertisement for the film humor magazine "Film Fun" using a still from the 1933 Charley Chase comedy Arabian Tights. This ad, which is from the magazine "Radio Stars", was generously donated by Chase buff and comedy aficionado Bill Cappello.

    The actual date that this ad appeared in "Radio Stars" is uncertain, but Bill explains:

    "I don't know the date of this magazine (none had covers or table of contents pages), but since the movie Arabian Tights was released in June 1933, and this ad refers to the January issue of FILM FUN being available 'now', my guess is that the ad is from late 1933."



    Charley Chase's Star on the Hollywood Walk of Fame

    Charley Chase fan and friend of this website Jonathan Berk was certainly not on the wrong trek when he snapped this beautiful photograph of Charley's star on the Hollywood Walk of Fame. So you can see all the stars as you walk down Hollywood Boulevard! Though Chase's star may surprise some, it was actually one of the first thousand stars granted when the Hollywood Walk of Fame project began in 1958. The first thousand were all dedicated to pioneers of early film, including our very own Mr. Parrott. For all you Chase bloodhounds, Charley's star can be found near Selma Street on Hollywood Boulevard.


    The Foreign Language Versions of the Charley Chase Talkies

    During sound film's first couple of years, Charley Chase, like other Hal Roach performers, made foreign language versions of his comedies to be distributed to theaters overseas. This practice was abandoned after 1931 because it was very time consuming and too expensive. The following is a list of Charley Chase's foreign language films and their English counterparts. The first film is the standard English version, the second is the Spanish version of the same film, and the last (if applicable) is the French version. It is very possible that Chase also made German versions of his shorts (like Laurel & Hardy did), but, as of now, it is unclear which shorts were remade in German and what their official German titles were.

    All Teed Up = El Jugador de Golf, Le Joueur de Golf

    Fast Work = Lucoras de Amor

    Girl Shock = Huye, Faldas!, Timide Malgr Lui

    Dollar Dizzy = El Principe del Dolar, Les Chercheuses d'or

    Looser Than Loose = Una Cana al Aire, Gare la Bombe!

    Thundering Tenors = El Alma de la Fiesta

    The Pip From Pittsburgh = La Senorita de Chicago

    Rough Seas = Monerias


    Charley Chase Remakes

    Throughout his long film career, Charley Chase reused some of the plotlines of his shorts. Other comedians, notably at Columbia Pictures, also took their inspiration from earlier Charley Chase short subjects.

    Re-Chase: Chase remakes Chase

  • The Hal Roach silent Crazy Like a Fox (1926) was remade with Chase as The Wrong Miss Wright for Columbia Pictures in 1937 and was also remade by Vera Vague as You Dear Boy.

  • The Hal Roach silent A One-Mama Man (1927) was remade by Chase as Skip the Maloo! in 1931.

  • The premise of the Chase silent What Women Did For Me (1927)--that Charley, timid around girls, is forced to work in an all girls' school--was revisited in his talkie Girl Grief (1932).

  • Chase partially remade his classic silent short Limousine Love (1928) as The Awful Goof (1939).

  • Chase's short subject Neighborhood House (1936), the two-reel version of an aborted feature film, echoed his early one-reeler The Family Entrance (1925) as well as his last silent short, Movie Night (1929).

  • The early one-reeler Fraidy Cat was the inspiration for Chase's sound short Nurse To You! (1935).

  • The Hal Roach talkie Fast Work (1930) was remade by Chase as Many Sappy Returns for Columbia Pictures in 1938 (Chase was credited with its screenplay in the Columbia version).

    Other Comedians Using Chase Plotlines: Comedians at Columbia Pictures rampantly reused earlier Chase plots. This is a partial list.

  • Andy Clyde remade the popular Chase silent His Wooden Wedding (1925) as Ankles Away in 1938, directed by Chase.

  • Chase's silent Fluttering Hearts (1927) was partially remade as a Thelma Todd-Zasu Pitts short--The Bargain of the Century (1933), which was directed by Chase.

  • The Hal Roach talkie Vamp till Ready (1936) was remade by Leon Errol as Let's Go Stepping for RKO in 1945.

  • The Columbia film The Grand Hooter (1937) was remade by Shemp Howard as Open Season for Saps.

  • The Columbia film Calling All Doctors (1937) was remade by Vera Vague as Doctor, Feel My Pulse.

  • The Columbia film The Big Squirt (1937) was remade by Bert Wheeler as The Awful Sleuth.

  • The Columbia film Man Bites Lovebug (1937) was remade by Billy Gilbert as Wedded Bliss.

  • The Columbia film The Nightshirt Bandit (1938) was remade by Andy Clyde as Go Chase Yourself for Columbia in 1948.

  • The Columbia film The Chump Takes a Bump (1939) was remade by Hugh Herbert as Who's Hugh? for Columbia Pictures.

  • The Columbia film The Heckler (1940) was remade by Shemp Howard as Mr. Noisy.

    Results of Charley Chase Polls Previously Conducted on this Website

    Charley Chase Silent Comedies

    The votes are in! Chase fans' favorite silent short by Charley is...drumroll please...Mighty Like a Moose! The classic 1926 Chase farce was only a few votes ahead of his legendary short comedy Limousine Love (1928). Take a look at the chart below to see how other shorts fared.

    Charley Chase Talkies

    The Chase fans have spoken! The Pip From Pittsburg is, unsurprisingly, fans' favorite Charley Chase talkie comedy. The classic 1931 short garnered 62% of the votes in this website's poll. The runner up, Chase's celebrated Columbia two-reeler The Heckler (1940), got 19% of the vote. The chart below shows the results for a few other Chase talkies.


    DID YOU KNOW?

    ...that the leading lady who was in the most Charley Chase talkies was Thelma Todd? She was in 12 Chase films (on and off), starting with Snappy Sneezer in 1929 and concluding with The Nickel Nurser in 1932. Second place is tied between Muriel Evans and Betty Mack, both in 9 Chase talkies.

    ...which films have the most number of songs in them? The answer is High C's (1930) and Rough Seas (1931). Both have four songs in them, both are three reels long, and both are musical comedies. Rough Seas is also the sequel to High C's and the only Charley Chase sequel ever made.

    ...which was the first Charley Chase film to be released through MGM? It's The Sting of Stings, released on September 3, 1927. The last film released through Pathe was Assistant Wives, released on December 12, 1927.

    ...that Chase was in the first comedy feature film ever made? The film was, of course, Tillie's Punctured Romance and Chase had a small part as a detective in the film, which also starred Charlie Chaplin, Marie Dressler, and Mabel Normand.

    ...that some of the melodies of Charley's songs appear as the background music in some Laurel & Hardy films? The song Charley sings in the beginning of Fate's Fathead, "Another Cup of Coffee", appears as background music in the Laurel & Hardy short The Live Ghost, right before the part when Stan and Ollie think that they have shot Arthur Houseman. The song Charley sings in Four Parts, "Auntie's Got Ants In Her Pantry", appears as background music in another Laurel & Hardy film, Them Thar Hills, during the scene where Stan and Ollie are preparing a meal in their trailer.

    ...that in Charley's 1929 silent, Movie Night, a poster can be seen of Buster Keaton's MGM film, The Cameraman, released in the previous year?

    ...that in the film Neighborhood House (1936), which was supposed to be Chase's breakthrough as a feature performer (although released as a two-reel short), there is a sign on the theatre marquee that reads "Four Features plus Major Studio Preview"? This is Charley's comment on the death of short subjects!

    ...that Chase wore glasses on-screen in 1925 in his film Be Your Age? This is one of the first times he did so before 1932 when he would wear them for almost every film appearance.

    ...that it was Charley Chase's brother James Parrott (AKA Paul Parrott), not Charley, who appeared in a bit part in Stan Laurel's solo film, Just Rambling Along (1918). The confusion between the brothers is quite common, and certainly caught this webmaster offguard in a previous incarnation of this site, claiming that it was indeed Chase in the film!

    ...that Charley Chase made a comedy that resembles his mature work from the late 1920's almost ten years before its time? He filmed Married To Order in 1918 at the King Bee Studio while Billy West was recovering from a bout of influenza (there was a vicious outbreak in 1918). Oliver Hardy was in it, and it contained the typical Chase story that would be used in the late 20's. The film was made right before the studio went out of business and a company called ReelCraft bought the film and released it two years later in 1920.


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